2024-03-29T07:18:53Z
http://contemporaneity.pitt.edu/ojs/contemporaneity/oai
oai:contemporaneity.pitt.edu:article/34
2020-02-26T19:49:47Z
contemporaneity:CONV
"110601 2011 eng "
2153-5914
dc
The Temporalities of Soviet and Postcommunist Visual Culture: Boris Groys and Petre Petrov in Conversation
Bailey, Robert
Albu, Cristina
This discussion took place on April 21, 2010 in the Humanities Center at the University of Pittsburgh. Over the course of two hours, we, Robert Bailey and Cristina Albu, posed to Boris Groys and Petre Petrov a series of questions about temporality and visual culture in the Soviet Union, contemporary Russia, and other formerly communist countries in Eastern Europe. Our hope was to identify the paradoxical instances when multiple temporalities coexist or compete for control of time, or where different forces impose their respective narratives, chronologies, or histories on the same moments and events. We are grateful to Professors Groys and Petrov for their careful and considered answers to our questions. Thanks are also due to Professors Jonathan Arac and Todd Reeser at the Humanities Center for facilitating the discussion, as well as to Contemporaneity editors Heidi Cook, Amy Cymbala, and Rachel Miller for their help with transcription.
University Library System, University of Pittsburgh
2011-06-01 00:00:00
application/pdf
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/34
Contemporaneity: Historical Presence in Visual Culture; Vol. 1 (2011)
eng
Copyright (c) 2011 Robert Bailey, Cristina Albu
oai:contemporaneity.pitt.edu:article/101
2020-02-26T19:42:38Z
contemporaneity:CONV
"140605 2014 eng "
2153-5914
dc
Today's Cutting Edge is Tomorrow’s Obsolete: An Interview with Cory Arcangel and Tina Kukielski
Ogrodnik, Benjamin
PhD Student, Department of History of Art & Architecture, University of Pittsburgh
Exhibited at the Carnegie Museum of Art, Pittsburgh from November 3, 2012 to January 27, 2013, Cory Arcangel: Masters was a wide-ranging, multi-sensory survey of the artist’s major works to date. The following interviews with Arcangel and the exhibition’s curator Tina Kukielski were conducted in February 2013, and discuss the conceptual, curatorial, and aesthetic issues raised by the exhibition.
University Library System, University of Pittsburgh
2014-06-05 00:00:00
application/pdf
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/101
Contemporaneity: Historical Presence in Visual Culture; Vol. 3 (2014)
eng
Copyright (c) 2014 Benjamin Ogrodnik
oai:contemporaneity.pitt.edu:article/111
2020-02-26T19:41:39Z
contemporaneity:CONV
"140605 2014 eng "
2153-5914
dc
Vision and Desire in Postcolonial Australia: A Conversation with Alison Ravenscroft
Randolph, Kira
University of Melbourne
Alison Ravenscroft, author of The Postcolonial Eye: White Australian Desire and the Visual Field of Race, discusses her book with Kira Randolph.
University Library System, University of Pittsburgh
2014-06-05 00:00:00
application/pdf
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/111
Contemporaneity: Historical Presence in Visual Culture; Vol. 3 (2014)
eng
Copyright (c) 2014 Kira Randolph
oai:contemporaneity.pitt.edu:article/112
2020-02-26T19:41:19Z
contemporaneity:CONV
"140605 2014 eng "
2153-5914
dc
Contemporary Art: World Currents in Transition Beyond Globalization
Smith, Terry
History of Art and Architecture Department, University of Pittsburgh
Mathur, Saloni
History of Art, University of California, Los Angeles
An edited transcript of a colloquium between Terry Smith, Mellon Professor of Contemporary Art History and Theory at the University of Pittsburgh, and Saloni Mathur, Associate Professor of the History of Art, University of California, Los Angeles, held at the Department of the History of Art and Architecture, University of Pittsburgh, on October 17, 2012.
University Library System, University of Pittsburgh
2014-06-05 00:00:00
application/pdf
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/112
Contemporaneity: Historical Presence in Visual Culture; Vol. 3 (2014)
eng
Copyright (c) 2014 Terry Smith, Saloni Mathur
oai:contemporaneity.pitt.edu:article/113
2020-02-26T19:41:00Z
contemporaneity:CONV
"140605 2014 eng "
2153-5914
dc
Artificial Hells: A Conversation with Claire Bishop
Eschenburg, Madeline
PhD Student, Department of History of Art & Architecture, University of Pittsburgh http://www.haa.pitt.edu/person/madeline-eschenburg
Claire Bishop answers questions about some of the arguments put forth in her recent book Artificial Hells: Participatory Art and the Politics of Spectatorship.
University Library System, University of Pittsburgh
2014-06-05 00:00:00
application/pdf
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/113
Contemporaneity: Historical Presence in Visual Culture; Vol. 3 (2014)
eng
Copyright (c) 2014 Madeline Eschenburg
oai:contemporaneity.pitt.edu:article/158
2020-02-26T17:51:58Z
contemporaneity:CONV
"150803 2015 eng "
2153-5914
dc
Decoding Double Desire: A Conversation with Ian McLean
Tyquiengco, Marina
Ian McLean, editor of Double Desire: Transculturation and Indigenous Contemporary Art, discusses his book with Marina Tyquiengco.
University Library System, University of Pittsburgh
2015-08-03 00:00:00
application/pdf
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/158
Contemporaneity: Historical Presence in Visual Culture; Vol. 4 (2015)
eng
Copyright (c) 2015 Marina Tyquiengco
oai:contemporaneity.pitt.edu:article/284
2022-05-16T20:36:16Z
contemporaneity:CONV
"191030 2019 eng "
2153-5914
dc
From Axayácatl to El Chapo: Rethinking Migration and Mexico’s War on Drugs in Gabriel Garcilazo’s Dystopic Magical Codex
Miramontes Olivas, Adriana
University of Pittsburgh
Garcilazo, Gabriel
In this conversation between Gabriel Garcilazo and Adriana Miramontes Olivas, Garcilazo explains his interest in appropriating popular culture and historical documents such as the sixteenth-century Codex Azcatitlan. His artwork Dystopic Magical Codex (2015) examines the recent war on drugs in Mexico and its consequences through spatial and temporal elements that reconsider concepts of borders, nations, and trade. The conversation is introduced in a brief essay in which Miramontes Olivas contextualizes Garcilazo’s codex. She argues that Garcilazo criticizes state apparatus rhetoric on the war on drugs and harsh immigration policies, demanding the conceptualization of alternative solutions that could reduce both the carnage and the exodus of those living in fear. He also warns, as have other contemporary artists from Mexico, against new forms of colonization and master narratives that homogenize and hamper border-crossing and interaction among cultures.
University Library System, University of Pittsburgh
2019-11-01 08:12:05
application/pdf
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/284
Contemporaneity: Historical Presence in Visual Culture; Vol. 8 (2019): Yesterday's Contemporaneity: Finding Temporality in the Past
eng
Copyright (c) 2019 Adriana Miramontes Olivas
oai:contemporaneity.pitt.edu:article/286
2022-05-16T20:36:16Z
contemporaneity:CONV
"191031 2019 eng "
2153-5914
dc
The Canaries of Democracy: Imagining the Wandering Jew with Artist Rosabel Rosalind Kurth-Sofer
Di Cicco, Rae
PhD Candidate, Department of History of Art & Architecture, University of Pittsburgh http://haa.pitt.edu/person/rachel-di-cicco
Kurth-Sofer, Rosabel Rosalind
https://rosabelrosalind.com
Messersmith, Thomas M.
PhD Candidate, Department of History, University of Maryland
.
University Library System, University of Pittsburgh
2019-11-01 08:12:05
application/pdf
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/286
Contemporaneity: Historical Presence in Visual Culture; Vol. 8 (2019): Yesterday's Contemporaneity: Finding Temporality in the Past
eng
Copyright (c) 2019 Rae Di Cicco, Rosabel Rosalind Kurth-Sofer, Madison Tarleton
oai:contemporaneity.pitt.edu:article/288
2022-05-16T20:36:16Z
contemporaneity:CONV
"191030 2019 eng "
2153-5914
dc
Are Indians in America's DNA?
Tyquiengco, Marina
PhD Student, Department of History of Art and Architecture, University of Pittsburgh
Siebert , Monika
A conversation between Dr. Monika Siebert and Marina Tyquiengco on:
Americans
National Museum of the American Indian
January 18, 2018–2022
Washington, D.C.
Monika Siebert, Indians Playing Indian: Multiculturalism and Contemporary Indigenous Art in North America. Tuscaloosa: University of Alabama Press, 2015.
University Library System, University of Pittsburgh
2019-11-01 08:12:05
application/pdf
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/288
Contemporaneity: Historical Presence in Visual Culture; Vol. 8 (2019): Yesterday's Contemporaneity: Finding Temporality in the Past
eng
Copyright (c) 2019 Marina Tyquiengco, Monika Siebert