2024-03-29T13:59:16Z
http://contemporaneity.pitt.edu/ojs/contemporaneity/oai
oai:contemporaneity.pitt.edu:article/34
2020-02-26T19:49:47Z
contemporaneity:CONV
v2
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/34
2020-02-26T19:49:47Z
University Library System, University of Pittsburgh
Vol. 1 (2011); 41-60
The Temporalities of Soviet and Postcommunist Visual Culture: Boris Groys and Petre Petrov in Conversation
Bailey, Robert
Albu, Cristina
2011-06-01
Authors who publish with this journal agree to the following terms:The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 International License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;with the understanding that the above condition can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post online a prepublication manuscript (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.The Author represents and warrants that:the Work is the Author’s original work;the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;the Work is not pending review or under consideration by another publisher;the Work has not previously been published;the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; andthe Work contains no libel, invasion of privacy, or other unlawful matter.The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.Revised 7/16/2018. Revision Description: Removed outdated link.
url:http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/34
en_US
This discussion took place on April 21, 2010 in the Humanities Center at the University of Pittsburgh. Over the course of two hours, we, Robert Bailey and Cristina Albu, posed to Boris Groys and Petre Petrov a series of questions about temporality and visual culture in the Soviet Union, contemporary Russia, and other formerly communist countries in Eastern Europe. Our hope was to identify the paradoxical instances when multiple temporalities coexist or compete for control of time, or where different forces impose their respective narratives, chronologies, or histories on the same moments and events. We are grateful to Professors Groys and Petrov for their careful and considered answers to our questions. Thanks are also due to Professors Jonathan Arac and Todd Reeser at the Humanities Center for facilitating the discussion, as well as to Contemporaneity editors Heidi Cook, Amy Cymbala, and Rachel Miller for their help with transcription.
oai:contemporaneity.pitt.edu:article/101
2020-02-26T19:42:38Z
contemporaneity:CONV
v2
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/101
2020-02-26T19:42:38Z
University Library System, University of Pittsburgh
Vol. 3 (2014); 184-192
Today's Cutting Edge is Tomorrow’s Obsolete: An Interview with Cory Arcangel and Tina Kukielski
Ogrodnik, Benjamin; PhD Student, Department of History of Art & Architecture, University of Pittsburgh
2014-06-05
Authors who publish with this journal agree to the following terms:The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 International License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;with the understanding that the above condition can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post online a prepublication manuscript (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.The Author represents and warrants that:the Work is the Author’s original work;the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;the Work is not pending review or under consideration by another publisher;the Work has not previously been published;the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; andthe Work contains no libel, invasion of privacy, or other unlawful matter.The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.Revised 7/16/2018. Revision Description: Removed outdated link.
url:http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/101
Cory Arcangel
Carnegie Museum of Art
Tina Kukielski
contemporary art
installation
en_US
Exhibited at the Carnegie Museum of Art, Pittsburgh from November 3, 2012 to January 27, 2013, Cory Arcangel: Masters was a wide-ranging, multi-sensory survey of the artist’s major works to date. The following interviews with Arcangel and the exhibition’s curator Tina Kukielski were conducted in February 2013, and discuss the conceptual, curatorial, and aesthetic issues raised by the exhibition.
oai:contemporaneity.pitt.edu:article/111
2020-02-26T19:41:39Z
contemporaneity:CONV
v2
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/111
2020-02-26T19:41:39Z
University Library System, University of Pittsburgh
Vol. 3 (2014); 179-183
Vision and Desire in Postcolonial Australia: A Conversation with Alison Ravenscroft
Randolph, Kira; University of Melbourne
2014-06-05
Authors who publish with this journal agree to the following terms:The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 International License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;with the understanding that the above condition can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post online a prepublication manuscript (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.The Author represents and warrants that:the Work is the Author’s original work;the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;the Work is not pending review or under consideration by another publisher;the Work has not previously been published;the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; andthe Work contains no libel, invasion of privacy, or other unlawful matter.The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.Revised 7/16/2018. Revision Description: Removed outdated link.
url:http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/111
Postcolonial studies
race
visuality
Australian Aboriginal Literature
en_US
Alison Ravenscroft, author of The Postcolonial Eye: White Australian Desire and the Visual Field of Race, discusses her book with Kira Randolph.
oai:contemporaneity.pitt.edu:article/112
2020-02-26T19:41:19Z
contemporaneity:CONV
v2
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/112
2020-02-26T19:41:19Z
University Library System, University of Pittsburgh
Vol. 3 (2014); 163-173
Contemporary Art: World Currents in Transition Beyond Globalization
Smith, Terry; History of Art and Architecture Department, University of Pittsburgh
Mathur, Saloni; History of Art, University of California, Los Angeles
2014-06-05
Authors who publish with this journal agree to the following terms:The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 International License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;with the understanding that the above condition can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post online a prepublication manuscript (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.The Author represents and warrants that:the Work is the Author’s original work;the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;the Work is not pending review or under consideration by another publisher;the Work has not previously been published;the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; andthe Work contains no libel, invasion of privacy, or other unlawful matter.The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.Revised 7/16/2018. Revision Description: Removed outdated link.
url:http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/112
contemporary art
world picturing
en_US
An edited transcript of a colloquium between Terry Smith, Mellon Professor of Contemporary Art History and Theory at the University of Pittsburgh, and Saloni Mathur, Associate Professor of the History of Art, University of California, Los Angeles, held at the Department of the History of Art and Architecture, University of Pittsburgh, on October 17, 2012.
oai:contemporaneity.pitt.edu:article/113
2020-02-26T19:41:00Z
contemporaneity:CONV
v2
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/113
2020-02-26T19:41:00Z
University Library System, University of Pittsburgh
Vol. 3 (2014); 174-178
Artificial Hells: A Conversation with Claire Bishop
Eschenburg, Madeline; PhD Student, Department of History of Art & Architecture, University of Pittsburgh
2014-06-05
Authors who publish with this journal agree to the following terms:The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 International License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;with the understanding that the above condition can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post online a prepublication manuscript (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.The Author represents and warrants that:the Work is the Author’s original work;the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;the Work is not pending review or under consideration by another publisher;the Work has not previously been published;the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; andthe Work contains no libel, invasion of privacy, or other unlawful matter.The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.Revised 7/16/2018. Revision Description: Removed outdated link.
url:http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/113
Claire Bishop
participatory art
Rancière
en_US
Claire Bishop answers questions about some of the arguments put forth in her recent book Artificial Hells: Participatory Art and the Politics of Spectatorship.
oai:contemporaneity.pitt.edu:article/158
2020-02-26T17:51:58Z
contemporaneity:CONV
v2
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/158
2020-02-26T17:51:58Z
University Library System, University of Pittsburgh
Vol. 4 (2015); 208-212
Decoding Double Desire: A Conversation with Ian McLean
Tyquiengco, Marina
2015-08-03
Authors who publish with this journal agree to the following terms:The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 International License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;with the understanding that the above condition can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post online a prepublication manuscript (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.The Author represents and warrants that:the Work is the Author’s original work;the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;the Work is not pending review or under consideration by another publisher;the Work has not previously been published;the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; andthe Work contains no libel, invasion of privacy, or other unlawful matter.The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.Revised 7/16/2018. Revision Description: Removed outdated link.
url:http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/158
Indigenous Contemporary Art
Australia
Identity Politics
en_US
Ian McLean, editor of Double Desire: Transculturation and Indigenous Contemporary Art, discusses his book with Marina Tyquiengco.
oai:contemporaneity.pitt.edu:article/284
2022-05-16T20:36:16Z
contemporaneity:CONV
v2
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/284
2022-05-16T20:36:16Z
University Library System, University of Pittsburgh
Vol. 8 (2019): Yesterday's Contemporaneity: Finding Temporality in the Past; 98-118
From Axayácatl to El Chapo: Rethinking Migration and Mexico’s War on Drugs in Gabriel Garcilazo’s Dystopic Magical Codex
Miramontes Olivas, Adriana; University of Pittsburgh
Garcilazo, Gabriel
2019-10-30
Authors who publish with this journal agree to the following terms:The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 International License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;with the understanding that the above condition can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post online a prepublication manuscript (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.The Author represents and warrants that:the Work is the Author’s original work;the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;the Work is not pending review or under consideration by another publisher;the Work has not previously been published;the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; andthe Work contains no libel, invasion of privacy, or other unlawful matter.The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.Revised 7/16/2018. Revision Description: Removed outdated link.
url:http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/284
en_US
In this conversation between Gabriel Garcilazo and Adriana Miramontes Olivas, Garcilazo explains his interest in appropriating popular culture and historical documents such as the sixteenth-century Codex Azcatitlan. His artwork Dystopic Magical Codex (2015) examines the recent war on drugs in Mexico and its consequences through spatial and temporal elements that reconsider concepts of borders, nations, and trade. The conversation is introduced in a brief essay in which Miramontes Olivas contextualizes Garcilazo’s codex. She argues that Garcilazo criticizes state apparatus rhetoric on the war on drugs and harsh immigration policies, demanding the conceptualization of alternative solutions that could reduce both the carnage and the exodus of those living in fear. He also warns, as have other contemporary artists from Mexico, against new forms of colonization and master narratives that homogenize and hamper border-crossing and interaction among cultures.
oai:contemporaneity.pitt.edu:article/286
2022-05-16T20:36:16Z
contemporaneity:CONV
v2
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/286
2022-05-16T20:36:16Z
University Library System, University of Pittsburgh
Vol. 8 (2019): Yesterday's Contemporaneity: Finding Temporality in the Past; 57-79
The Canaries of Democracy: Imagining the Wandering Jew with Artist Rosabel Rosalind Kurth-Sofer
Di Cicco, Rae; PhD Candidate, Department of History of Art & Architecture, University of Pittsburgh
Kurth-Sofer, Rosabel Rosalind
Messersmith, Thomas M.; PhD Candidate, Department of History, University of Maryland
2019-10-31
Authors who publish with this journal agree to the following terms:The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 International License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;with the understanding that the above condition can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post online a prepublication manuscript (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.The Author represents and warrants that:the Work is the Author’s original work;the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;the Work is not pending review or under consideration by another publisher;the Work has not previously been published;the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; andthe Work contains no libel, invasion of privacy, or other unlawful matter.The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.Revised 7/16/2018. Revision Description: Removed outdated link.
url:http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/286
en_US
.
oai:contemporaneity.pitt.edu:article/288
2022-05-16T20:36:16Z
contemporaneity:CONV
v2
http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/288
2022-05-16T20:36:16Z
University Library System, University of Pittsburgh
Vol. 8 (2019): Yesterday's Contemporaneity: Finding Temporality in the Past; 80-97
Are Indians in America's DNA?
Tyquiengco, Marina; PhD Student, Department of History of Art and Architecture, University of Pittsburgh
Siebert , Monika
2019-10-30
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url:http://contemporaneity.pitt.edu/ojs/contemporaneity/article/view/288
en_US
A conversation between Dr. Monika Siebert and Marina Tyquiengco on:
Americans
National Museum of the American Indian
January 18, 2018–2022
Washington, D.C.
Monika Siebert, Indians Playing Indian: Multiculturalism and Contemporary Indigenous Art in North America. Tuscaloosa: University of Alabama Press, 2015.