Contemporaneity: Historical Presence in Visual Culture

Edition 8: "Yesterday's Contemporaneity: Finding Temporality in the Past"

Call for Artistic Submissions

Due: 4/30/2018

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Inspired by the University of Pittsburgh’s inaugural Collecting Knowledge Pittsburgh Workshop, Race-ing the Museum held in 2015, Presenting Race: Institutional Contexts and Critiques includes contributions from scholars with diverse perspectives and disciplines who raise questions about access, inclusion, institutional structures, and representation.

UPDATE: DEADLINE EXTENDED- The deadline for submissions is now October 26, 2018.

Volume 8 seeks to publish examinations of contemporaneity across a wider variety of historical contexts. The aim is to uncover how cultures throughout the global past have negotiated temporalities, modernities, and historicisms, to come to terms with what it means to be present in their own moment. How can both history and modernity be visualized, contextualized, or conceptualized to create a sense of contemporaneity? How have institutions created temporalities for the cultures they study, and how can a historical object or space shape perceptions of a culture’s identity or agency? What is at stake in defining a work of art’s place in time?

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The editorial board is proud to present the newest issue of Contemporaneity. The thematic volume "Boundless: Art and Identification Across Borders," collects articles, curatorial statements, artist statements and interviews, and book and exhibition reviews about identity and borders.

Now accepting applications to publish artwork in edition 6: "Boundless: Art and Identification across Borders."

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The deadline for submissions has been extended to November 30, 2016.

For Edition 6, Contemporaneity seeks submissions that deal with the complexity of art and identification in time and space. Submissions that deal with the effect of borders on national and regional identities are particularly welcome; we also encourage historical scrutiny and theoretical analysis on borders and race, ethnicity, class, gender, sexuality, religion, and other categories of identification. How have different identities experienced border or boundary crossings differently? What borders have been erected to insulate normative identities and how have the arts served to reify or challenge these essentialist categories of identity? How has the articulation of concepts of identity evolved and inflected past and present discussions of particular identities? 

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The deadline for submissions is October 31, 2016

For Edition 6, Contemporaneity seeks submissions that deal with the complexity of art and identification in time and space. Submissions that deal with the effect of borders on national and regional identities are particularly welcome; we also encourage historical scrutiny and theoretical analysis on borders and race, ethnicity, class, gender, sexuality, religion, and other categories of identification. How have different identities experienced border or boundary crossings differently? What borders have been erected to insulate normative identities and how have the arts served to reify or challenge these essentialist categories of identity? How has the articulation of concepts of identity evolved and inflected past and present discussions of particular identities? 

CLICK THE "More" LINK AT RIGHT TO SEE THE FULL CFP & SUBMISSION DETAILS -->

Help Contemporaneity grow by supporting our EngagePitt fundraising campaign! With five years under our belt, we are ready and excited to professionalize and raise the profile of Contemporaneity. With your support, we can raise $6,000 to fund the next three journal editions.

Extended Deadline announcement for Issue 5

The deadline for submissions is approaching soon. We are seeking scholarship across epochs and disciplines.

See Call for Paper for details

Who is contemporary?
What is contemporary?
When is contemporary?

Contemporaneity: Historical Presence in Visual Culture

Issue 4 deadline for submissions:
September 30, 2014

Click through for the Call for Participation.