Today's Cutting Edge is Tomorrow’s Obsolete: An Interview with Cory Arcangel and Tina Kukielski

Authors

  • Benjamin Ogrodnik PhD Student, Department of History of Art & Architecture, University of Pittsburgh

DOI:

https://doi.org/10.5195/contemp.2014.101

Keywords:

Cory Arcangel, Carnegie Museum of Art, Tina Kukielski, contemporary art, installation,

Abstract

Exhibited at the Carnegie Museum of Art, Pittsburgh from November 3, 2012 to January 27, 2013, Cory Arcangel: Masters was a wide-ranging, multi-sensory survey of the artist’s major works to date. The following interviews with Arcangel and the exhibition’s curator Tina Kukielski were conducted in February 2013, and discuss the conceptual, curatorial, and aesthetic issues raised by the exhibition.

 

Author Biography

Benjamin Ogrodnik, PhD Student, Department of History of Art & Architecture, University of Pittsburgh

Benjamin Ogrodnik’s research lies at the intersection of film and the visual arts. His dissertation investigates experimental filmmakers from Western Europe, Latin America, and North America who have interrogated the "vérité" tradition of documentary film. He is interested in how contemporary artists and filmmakers have transformed documentary theory and technique through their practices within the broader sphere of "art cinema."


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Published

2014-06-05

How to Cite

Ogrodnik, B. (2014). Today’s Cutting Edge is Tomorrow’s Obsolete: An Interview with Cory Arcangel and Tina Kukielski. Contemporaneity: Historical Presence in Visual Culture, 3, 184–192. https://doi.org/10.5195/contemp.2014.101

Issue

Section

Conversations