Artificial Hells: A Conversation with Claire Bishop

Madeline Eschenburg

doi:10.5195/contemp.2014.113

Conversations

Vol. 3 (2014)

Artificial Hells: A Conversation with Claire Bishop

Madeline Eschenburg^▸^▾

PhD Student, Department of History of Art & Architecture, University of Pittsburgh

Bio

Author Biography

Madeline Eschenburg is a graduate student at the University of Pittsburgh. She is working toward her PhD in contemporary Chinese art.

DOI: https://doi.org/10.5195/contemp.2014.113
Submitted: May 5, 2014
Published: 2014-06-05

Abstract

Claire Bishop answers questions about some of the arguments put forth in her recent book Artificial Hells: Participatory Art and the Politics of Spectatorship.

Keywords

Claire Bishop
participatory art
Rancière

How to Cite

Eschenburg, M. (2014). Artificial Hells: A Conversation with Claire Bishop. Contemporaneity: Historical Presence in Visual Culture, 3, 174–178. https://doi.org/10.5195/contemp.2014.113

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