Firelei Báez: Bloodlines: The Andy Warhol Museum, February 17 – May 21, 2017

Authors

  • Nicole F. Scalissi History of Art and Architecture, University of Pittsburgh

DOI:

https://doi.org/10.5195/contemp.2017.226

Keywords:

Firelei Báez, Andy Warhol Museum, migration, hybridity

Abstract

Exhibition Review:

Exhibition catalog: María Elena Ortiz, Firelei Báez: Bloodlines, exh. cat. Text by María Elena Ortiz, Naima J. Keith, and Roxane Gay. Miami: Pérez Art Museum Miami, 2015. 128 pp.; 65 ills (53 col.). Cloth $35.00 (9780989854672)

Exhibition schedule: Pérez Art Museum Miami, FL, Oct. 15, 2015 – March 6, 2016; The Andy Warhol Museum, Pittsburgh, PA, February 17–May 21, 2017

Author Biography

Nicole F. Scalissi, History of Art and Architecture, University of Pittsburgh

Nicole F. Scalissi’s research focuses on American artists who stage violence against gendered, racialized, and classed bodies—marginalized identities with which the artists themselves identify—as a method of both community-identification and self-empowerment to call attention to the prevalence of disproportionate violence committed against women and people of color in the US more broadly. She is a PhD candidate in the History of Art and Architecture at the University of Pittsburgh and carries a master’s degree from Pennsylvania State University.

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Published

2017-11-30

How to Cite

Scalissi, N. F. (2017). Firelei Báez: Bloodlines: The Andy Warhol Museum, February 17 – May 21, 2017. Contemporaneity: Historical Presence in Visual Culture, 6(1), 97–103. https://doi.org/10.5195/contemp.2017.226

Issue

Vol. 6 (2017): Boundless

Section

Reviews

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