Erratum to: Miramontes Olivas, A., & Garcilazo, G. (2019). From Axayácatl to El Chapo: Rethinking Migration and Mexico’s War on Drugs in Gabriel Garcilazo’s Dystopic Magical Codex. Contemporaneity: Historical Presence in Visual Culture, 8, 98-118. https://doi.org/10.5195/contemp.2019.284

  • Jacqueline M. Lombard PhD Student, Department of History of Art and Architecture, University of Pittsburgh

Abstract

Erratum to: Miramontes Olivas, A., & Garcilazo, G. (2019). From Axayácatl to El Chapo: Rethinking Migration and Mexico’s War on Drugs in Gabriel Garcilazo’s Dystopic Magical Codex. Contemporaneity: Historical Presence in Visual Culture, 8, 98-118. https://doi.org/10.5195/contemp.2019.284

 

The original publication of this article included a misspelling of Gabriel Garcilazo's name in its title, incorrectly spelling Garcilazo's last name. The original article has been updated to reflect this change.

Author Biography

Jacqueline M. Lombard, PhD Student, Department of History of Art and Architecture, University of Pittsburgh

Jacqueline Lombard is a Ph.D. Candidate at the University of Pittsburgh. She specializes in medieval art history, with a particular focus on the history of art objects as products or conduits of cross-cultural exchange between Medieval Europe, the Middle East, and Africa. Her dissertation examines images of Africans that were circulating in Europe during the tenth through twelfth centuries to explore how medieval European artists used visual languages to communicate ideas about identity, globality, and race. She is currently based Frankfurt am Main as a guest researcher at the Goethe University through the support of a DAAD research grant.

Published
2019-11-06
How to Cite
Lombard, J. M. (2019). Erratum to: Miramontes Olivas, A., & Garcilazo, G. (2019). From Axayácatl to El Chapo: Rethinking Migration and Mexico’s War on Drugs in Gabriel Garcilazo’s Dystopic Magical Codex. Contemporaneity: Historical Presence in Visual Culture, 8, 98-118. https://doi.org/10.5195/contemp.2019.284. Contemporaneity: Historical Presence in Visual Culture, 8. https://doi.org/10.5195/contemp.2019.298