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• Painting as a Modern Art in Early Renaissance Italy Robert Brennan

  Christopher J. Nygren

  104-108

  2021-02-21

• Colored Plexiglass: Irving and Aaronel deRoy Gruber Foundation Gallery Inaugural Exhibition Irving and Aaronel deRoy Gruber Foundation Gallery

  Paulina Pardo Gaviria

  99-103

  2021-02-21

• Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa Aga Khan Museum, Toronto, Canada

  Jake Eisensmith

  95-98

  2021-02-21

• how the light gets in Herbert F. Johnson Museum of Art, Cornell University

  Adriana Miramontes Olivas

  82-94

  2021-02-21

• The Metabolic Museum Clémentine Deliss

  Marina Tyquiengco

  77-81

  2021-02-21

• Address the Issue

  Joel Addison Fuller , Seth Adam Cook

  72-76

  2021-02-21

• La Gente/The People

  Jonathan Christensen Caballero

  63-71

  2021-02-21

• Eight Views of the Sun Setting on the South Pacific

  Kio Griffith

  52-62

  2021-02-21

• The Contingent Body

  Sepideh Tajalizadeh Dashti

  44-51

  2021-02-21

• The Stones of Ivittuut Extracting Stories from Rocks

  Alex J. Taylor

  21-29

  2021-02-21

• Questionnaire Response

  Lindsey french

  17-20

  2021-02-21

• Questionnaire Response

  Lee Veeraraghavan

  14-16

  2021-02-21

• Questionnaire Stationary Women Moving Through the World: The Church of the Sacred Heart of Jesus, Calcutta, founded by Mrs. Pascoa Barretto de Souza, 1834

  Mrinalini Rajagopalan

  9-13

  2021-02-21

• Questionnaire Response

  Sahar Hosseini

  4-8

  2021-02-21

• Questionnaire Introduction

  Paula Kupfer , Jacob Eisensmith

  1-3

  2021-02-21

• Mobility & Exchange Moving Across/Through Cultures

  Emi Finkelstein , Katie Loney

  i-v

  2021-02-21

• “India in America” A Curatorial Conversation on the Work and Practice of Lockwood de Forest and The Ahmedabad Wood Carving Company

  Nina Blomfield, Katie Loney

  30-43

  2021-02-20

• Erratum to: Miramontes Olivas, A., & Garcilazo, G. (2019). From Axayácatl to El Chapo: Rethinking Migration and Mexico’s War on Drugs in Gabriel Garcilazo’s Dystopic Magical Codex. Contemporaneity: Historical Presence in Visual Culture, 8, 98-118. https://doi.org/10.5195/contemp.2019.284

  Jacqueline M. Lombard

  2019-11-06

• Yesterday's Contemporaneity: Finding Temporality in the Past

  Jacqueline M. Lombard

  i-iv

  2019-10-30

• Art and Miracle in Renaissance Tuscany

  Sarah Reiff Conell

  127-130

  2019-10-30

• Fujiwo Ishimoto Exhibition: From Marimekko Flowers to Ceramic Fruits in Dialogue with the Rinpa

  Carolyn Wargula

  131-134

  2019-10-30

• Raphael and the Redefinition of Art in Renaissance Italy

  Christopher J. Nygren

  123-126

  2019-10-30

• Saints, Miracles and the Image: Healing Saints and Miraculous Images in the Renaissance

  Andrea Kibler Maxwell

  119-122

  2019-10-30

• Are Indians in America's DNA?

  Marina Tyquiengco, Dr. Monika Siebert

  80-97

  2019-10-30

• Sacred Substantiations: Lincoln Casts and Statuary in the American Imagination

  Ramey Mize

  39-56

  2019-10-30