Unfolding the In-between Image: The Emergence of an Incipient Image at the Intersection of Still and Moving Images

  • Masaki Kondo York University
Keywords: Adad Hannah, James Nares, tableaux vivants, photography, video art, moving image

Abstract

As digital technology has transformed various aspects of our screen culture over the past few decades, we have been witnessing a disappearing boundary between photographic still images and cinematic moving images. An emerging in-between image has become increasingly prominent in this new image culture, which attempts to negotiate the grey area between stillness and movement. This in-between image, manifest in a variety of formats and media, points to an increasingly solid middle ground between the traditional divisions of still and moving images. This paper builds a conceptual framework for analysing this new type of image and explores both the roots of this emergent category before focusing on its contemporary trajectory as exemplified by the work of Adad Hannah, Hiroshi Sugimoto, Jeff Wall, and James Nares.

 

Author Biography

Masaki Kondo, York University
Masaki Kondo is a PhD student in Cinema and Media Studies at York University. His current research examines the emergence of the in-between image in screen media through the concept of affect.
Published
2014-06-05
How to Cite
Kondo, M. (2014). Unfolding the In-between Image: The Emergence of an Incipient Image at the Intersection of Still and Moving Images. Contemporaneity: Historical Presence in Visual Culture, 3, 50-61. https://doi.org/10.5195/contemp.2014.80
Section
Articles