Vol. 7 (2018): Presenting Race: Institutional Contexts and Critiques

• Presenting Race: Institutional Contexts and Critiques

  i-iv

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Commentaries

• Reflections on Race-ing the Museum, Two Years Later

  Shirin Fozi, Kirk Savage

  1-4

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• “An Imagined Border of Safety, Humanitarian Relief, and Creativity”: J.M. Design Studio’s Other Border Wall Project

  Nicole F Scalissi

  5-16

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Articles

• Hemispheric Conversations: Exploring Links between Past and Present, Industrial and Post-Industrial through Site-Specific Graffitti Practice at the Carrie Furnaces

  Caitlin Frances Bruce

  17-26

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• Kanaka 'Ōiwi Critical Race Theory: Historical and Cultural Ecological Understanding of Kanaka 'Ōiwi Education

  Nik Cristobal

  27-44

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• Gregg Deal's White Indian (2016): The Decolonial Possibilities of Museum Performance

  Christiana Molldrem Harkulich

  45-52

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• OjO Latino: A Photovoice Project in Recognition of the Latino Presence in Pittsburgh, PA

  Héctor Camilo Ruiz Sánchez, Paulina Pardo Gaviria, Rosa De Ferrari, Kirk Savage, Patricia Documet

  53-71

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Artist Portfolio

• Border Check

  Hazel Batrezchavez

  72-75

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• Looking/Not Looking

  Aaron Henderson

  76-80

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• Destruction and Solution

  Meghan Kozal

  81-85

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• Coming to Confidence

  Cecelia Ivy Price

  86-90

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• Gringolandia

  Jezabeth Roca Gonzalez

  91-97

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• Football

  Nick Simko

  98-103

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Reviews

• Lawrence Paul Yuxweluptun: Unceded Territories

  Annika Johnson

  104-106

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• The Invention of Race in the Middle Ages

  Jacqueline Lombard

  107-109

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• Modern Art in the Arab World: Primary Documents

  Golnar Yarmohammad Touski

  110-112

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• Unsettled: Exhibiting the Greater West

  Lily Brewer

  113-116

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• 20/20: The Studio Museum of Harlem and the Carnegie Museum of Art

  Rebecca L. Giordano

  117-122

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• Blue Ruins: LaToya Ruby Frazier in Two Parts

  Benjamin Ogrodnik

  123-127

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• Letícia Parente in Pacific Standard Time: LA/LA (Los Angeles/Latin America)

  Paulina Pardo Gaviria

  128-133

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