• Presenting Race: Institutional Contexts and Critiques

  i-iv

  • PDF

Commentaries

• Reflections on Race-ing the Museum, Two Years Later

  Shirin Fozi, Kirk Savage

  1-4

  • PDF
• “An Imagined Border of Safety, Humanitarian Relief, and Creativity”: J.M. Design Studio’s Other Border Wall Project

  Nicole F Scalissi

  5-16

  • PDF

Articles

• Hemispheric Conversations: Exploring Links between Past and Present, Industrial and Post-Industrial through Site-Specific Graffitti Practice at the Carrie Furnaces

  Caitlin Frances Bruce

  17-26

  • PDF
• Kanaka 'Ōiwi Critical Race Theory: Historical and Cultural Ecological Understanding of Kanaka 'Ōiwi Education

  Nik Cristobal

  27-44

  • PDF
• Gregg Deal's White Indian (2016): The Decolonial Possibilities of Museum Performance

  Christiana Molldrem Harkulich

  45-52

  • PDF
• OjO Latino: A Photovoice Project in Recognition of the Latino Presence in Pittsburgh, PA

  Héctor Camilo Ruiz Sánchez, Paulina Pardo Gaviria, Rosa De Ferrari, Kirk Savage, Patricia Documet

  53-71

  • PDF

Artist Portfolio

• Border Check

  Hazel Batrezchavez

  72-75

  • PDF
• Looking/Not Looking

  Aaron Henderson

  76-80

  • PDF
• Destruction and Solution

  Meghan Kozal

  81-85

  • PDF
• Coming to Confidence

  Cecelia Ivy Price

  86-90

  • PDF
• Gringolandia

  Jezabeth Roca Gonzalez

  91-97

  • PDF
• Football

  Nick Simko

  98-103

  • PDF

Reviews

• Lawrence Paul Yuxweluptun: Unceded Territories

  Annika Johnson

  104-106

  • PDF
• The Invention of Race in the Middle Ages

  Jacqueline Lombard

  107-109

  • PDF
• Modern Art in the Arab World: Primary Documents

  Golnar Yarmohammad Touski

  110-112

  • PDF
• Unsettled: Exhibiting the Greater West

  Lily Brewer

  113-116

  • PDF
• 20/20: The Studio Museum of Harlem and the Carnegie Museum of Art

  Rebecca L. Giordano

  117-122

  • PDF
• Blue Ruins: LaToya Ruby Frazier in Two Parts

  Benjamin Ogrodnik

  123-127

  • PDF
• Letícia Parente in Pacific Standard Time: LA/LA (Los Angeles/Latin America)

  Paulina Pardo Gaviria

  128-133

  • PDF